And I found it hard to find good places in the narrative to put the book down while life and sleep took over.
This doesn't mean that I had discovered a rich trove of literary achievement. It just means that it was the proverbial page-turner for me. For good reasons (more about that below).
This also doesn't mean that an endorsement from Stephen King is a guarantee of any kind that you will like the book (although in this case, it did for me).
The story of a beautiful TV anchorwoman who is the object of the obsessive creepy attentions of a secret admirer on the deranged side of the fence called "The Watcher." It is told entirely using emails, faxes, messages left on answering machines and transcripts of recorded conversations. I've had mixed results with such a device (worked for me with The Anderson Tapes and didn't with Death of a Politician). This alone can make this book seem unfilmable (something that has happened with an Ira Levin work before). Although Sidney Lumet managed to do well with The Anderson Tapes, a similar exercise with Munson's book would require a significant departure in material and setting. A heaping bowl of To Die For and Confessions of a Dangerous Mind along with generous doses of John Waters might work, but it still feels too stale. Perhaps some David Lynch and David Fincher for good measure. Oh! And perhaps Oliver Stone in his Natural Born Killers mood.
But I digress.
Just like in Condon's book, you find yourself laughing at and with some of the characters in the book. Unlike Condon's book, though, the turning of pages ends appropriately. There's almost no fat in the book.
And of course, no flights of expository fancy. What a relief.
Back to the bookshelf now to find the next rabbit. Thank you so much, Mr. King.