How is one to make sense of a film whose execution is so drastically at odds with its apparent theme? asks Andrew O'Hehir in his review of I Am Sam. More food for thought on how Sean Penn made it to the Best Actor nominations.


Kind of 'Blue': In the first of a new series suggesting films made since 1968 that might plausibly be included in an All Time Top Ten, Nick James praises the first of Kieslowski's trilogy. And we also get a nice look at Kieslowski's offering.