secular faux

Dr Rajiv Vijaykar, frequent columnist in Screen and Rediff is responsible for a rather unsettling article in the latest issue of Screen titled, rather inappropriately Muslims to the rescue. The agenda is a retrospective on the role of Muslims in Indian music. I am sure we acknowledge the contributions of giants like Mohd. Rafi, Talat Mehmood and Shamshad Begum, Naushad and Khaiyyam, and countless lyricists, but do we really need to have it hammered into us that they were Muslims? What was that, some social stigma/obstacle that they overcame to achieve critical and popular acclaim? A crutch? This is like instituting a Best Black Actor Oscar. Perhaps worse. It's hard to accept any naiveté from the author, since he is a man of some knowledge and wisdom. Shame!

more human tragedy in bollywood

One of Bollywood's lasting and successful(?) relationships has come to an end officially. Star (and rather sensible) actor Aamir Khan and his wife Reena (Dutta) Khan filed for divorce this week. The official press release bare of more details has confirmed months of gossip. As for why this came about.. one can only speculate. How can we forget her active involvement in Aamir's dream production Lagaan? And that he always went out of his way to praise her for being by his side through thick and thin? After 16 years of married life with two loving children (Reena Dutt gets custody; Aamir gets visitation)... Now we must only wait to see if the rumours about Mr Khan and Preity Zinta bear fruit. Or is it Suzanne Sablok?

thorns ... postmodern revisionist blaxploitative slick pastiche

coming soon ... : a more comprehensive outpouring.

In the meantime, if you haven't already seen Kaante, catch up on source material with The Usual Suspects, Reservoir Dogs, Heat, Fight Club, Snatch and the openings of Warner Bros movies.

Trivia/SPOILERS {NOTE: If you caught up with the movies mentioned above, the denouement should not be tough to figure out.}

* who is the undercover cop: hint One: Who's the narrator? What's the source? Elementary, my dear Puttan

* who is the undercover cop: hint Two: When the captured cop (see cool trivia nugget following) tells them (what the audience already knows) that one of them is an undercover cop, and there's the languid "settling in" of this heavy truth, who's the dude whose song makes it to the background? (and is mercifully truncated before complete aural destruction)

* As if to acknowledge the underplayed inspiration from The Usual Suspects, misdirector Sanjay Gupta names the hapless cop who is after the unholy six McQuarrie. Christopher McQuarrie wrote the script for the Bryan Singer film, won an Oscar for it, AND was also a police detective in real life. Nice touch.

* Another song omitted from the film is Dil Kya Kare, which is just as well, considering that this number pales in comparison to the electronica-mix-heavy heady other songs.

* In true homage to all action movies involving social scum and inefficient police machinery set in the expressionist city of LA, this movie also bases itself there. Complete with numerous shots (some new, some stock from source American movies) of the cityscape (which, unlike well-made LA films, add nothing to the narrative), excessive abuse of yellow filters, slow motion (again, no purpose) and guns.

addendum (october 28, 2003): Just to underscore the overt Thums Up plugs in the film, here's a newsitem about the advertising deal.

thorns?

Yep ... that's what Kaante translates from Hindi to English. Out in the theatres today and I'm planning to catch a show tonight. In fact, I did catch a show tonight. But more later (faithful to Kaante as well as it's immediate parent Reservoir Dogs, this is a flashback).

Los Angeles. baara mai do hazaar (12 May 2000). jahaa.N ham chhe pa.NTar pahalii baar mile the. humane sochaa thaa ki duniyaa jeet le.nge. apani lag gayii {translation: Los Angeles. 12 May 2000. Where the six of us met for the first time. We thought we'd conquer the world. We got screwed}.

An hour earlier. We drove to Galaxy Cinema on Jimmy Carter Blvd and got tickets (deserted... but mostly because the previous show hadn't cleared out yet). We then drove to The Mughals. The music playing was surprisingly from previous decades, and, R D Burman (yay!). In fact, it was a seldom-heard song of his zamaane mein sabse puraani from the ill-fated Lovers. After placing an order for mutton biryani I paid a visit to Bollywood Video next door, and returned with two finds: Lovers/Kasam Paida Karne Waale Ki and Romance/Sawan Ko Aane Do. When I got back to claim a rather generous helping of excellent biryani, they were running a song from Romance. As if the coincidences with R D Burman weren't enough, these were both Kumar Gaurav starrers and so was Kaante which we were about to watch in less than an hour.

Back at the theatre, we weren't disappointed by the rush of people waiting. After navigating past some irritating Indian lass who insisted on vertical and horizontal integration of captured seats (Indians, no matter where they racinate themselves, will always be Indians -- NOTE: this statement has some positive vibes too, but not in this context), we found ourselves some good seats and settled down to be entertained.

puri nostalgia

Desi dinner at the Udipi Café. I ordered a puri bhaji, since I don't crave dosas as much as most people do ... It's when the order arrived (along with several orders of chana batura ... aah those air-filled cushions of dough) that I realized how long it had been since I had a puri. And it wasn't greasy either (same for the other orders). I always believed the people at the Café were a mafia -- subtely staring at you and observing you. They're getting better at that ... although I caught a few careless glances. Aside from that, and the rather rundown strip it's located in, this is a good place to eat. {another review}

memories ...

Thanks to Chris for a pointer to mythological spam. This thing used to do the rounds of our inboxes a few years ago ...

And while you're riding the rib-tickling wave, check out the lyrics for I love my India, from Subhash Ghai's excrutiating movie about nationalism and NRI evil Pardes. While the rest of the song is familiar to most of us, it's the opening stanza (read: paragraph) with linguistic inanities that's the schlock masterpiece. A splendid time is guaranteed for all, even if you don't speak Hindi.

more remakes

shudders run up and down your spine. There's a Bollywood remake of the Verhoeven/Eszterhas/Stone skinfest Basic Instinct. Helmed by Pankaj Parashar (whose only credit of late will be his two-decade old memorable creation, the carrot-chewing Karamchand... his latest films have been licking box office dust, including his last one Tumko Na Bhool Paayenge, a ghastly gender-twisted remake of The Long Kiss Goodnight), the film will star Michael ... oops Manoj Bajpai (good choice) and Khallas Isha Koppikar (the subtle pronunciation hint "copy kar" is pure delicious irony). Gulp! {newsitem} {rediff}

Followup

Isha Koppikar vs Diya Mirza

bulletproof is back

As it turns out, the Fat film (couldn't resist that, sorry) is based on a comic book {more}. {courtesy: Chris}

{ref: previous post}

:))

creative commons opens

The Creative Commons started off dedicated "to help expand the amount of intellectual work, whether owned or free, available for creative re-use". One step towards better ways of profiting from creativity. like Roger McGuinn.

more movies and books

3 movies (=6 dvds): The Lord of the Rings: The Fellowship of the Ring {extended version and special features ...yum!}, South Park (the movie) and Léon (aka the Professional).

thanks to a trip to AFPL I picked up Chuck Palahniuk's Choke and By Any Means Necessary, Spike Lee's bio by Jim Haskins (the title comes from a controversial Malcolm X quote) as well as Different Light/The Bangles and The Georgia Peach/Little Richard.

south downsizes in the post-boom dust

Atlanta lost 61,800 jobs in the twelve months that ended in October. September 11 hit the city harder than most would imagine. this and more

another couch sunday

don't get me wrong ... i love spending sundays on the couch ... quite relaxing. less stressful (unless every show you want to catch is a re-run). Besides the fresh set of episodes that TNN fished out for their TNG Sunday marathon (including the delicious Ship in a Bottle), I caught Badlands on TCM as well as Let It Be Me, a little romantic by-the-numbers film, redeemed by good turns by Patrick Stewart and Leslie Caron (as well as Campbell Scott and Yancy "Witchblade" Butler). The "Cartman brings Christmas" South Park episode rounded up the day. Jesus dies saving Santa from the clutches of Iraqi thugs who sound like Jamaican immigrants, after his sleigh is shot down on a goodwill mission by a terrorist. Acknowledging this noble deed, Santa declares that henceforth Christmas will commemorate the man called Jesus. Perfect note on the capitalist nightmare that Christmas has become in the US of A. My Kroger shopping bags have new red-and-green logos. As Kyle said it: Dude, that's pretty f*****d up.

;

screen tidbits

Screen seems to have begun delaying the updates on their online portal with each new issue. Yesterday's page was full of week-old links and it's only today that I can see something new. Here's a little offering: sequels in Bollywood, middle-aged cinema {aka we're too old to do the tree dance, let's start a pre-geriatric crusade for stardom}, an interview with the fresh princes of plagiari-pop, Sanjeev-Darshan (quote: After all, a television channel today can air a Michael Jackson hit, a Shakira number and a Hindi film song one after another. But Indian melody will always win in the long run. These songs will click or sink on merit, but music like Nadeem-Shravan�s melodies and Devdas will always triumph over them.... biting the hand that feeds you ... Indian melody! pah!) [evidence], looking back at the hit duo Shanker-Jaikishen {probably known to art house moviegoers as the composers of the Hindi song that opens Ghost World}, and assembly-line bubblegum-pop-mush filmmaker Karan Johar pens his thoughts on cinema [gag! choke!].

chips, dinner and an epic to snooze

A home-park style Friday evening after a long long time. Back with friends on the old stomping grounds of Home Park {unawares note: cheap, shoddy rundown off-campus student housing close to the Georgia Tech campus, marking the north end of riffraff territory, although the south end is more horrifying}. We dined at Pappasito's Cantina up in Marietta. After OD'g on chips and salsa while we waited for a table, I stuffed myself with an excellent chicken chile relleno. The prices aren't too high, and the food and ambience are great. A lively slice in what appeared to be a rather lonely zone.

Back home, as if we hadn't had enough for the night, I ran through The Lord of the Rings: The Fellowship of the Ring. While I didn't pay too much attention to detail (since I'm waiting on a kind loan of the extended version DVD set:) I was impressed by the technical finesse, the fluidity of the film (which is a blessing given the epic length), and a retro-trip to the stuff that embellished childhood all the tales of fantastic worlds and beings underpinning the neverending conflict between good and evil. I deeply regret not watching the film in the theatres (blame it on my previously unsuccessful attempts at reading any books by Tolkien). I will make amends by catching The Two Towers. Haven't seen the Harry Potter films either...so I can't even begin a comparison.

sign of the times ... technologies, experience, the economy

As a lot of my friends in the IT sector (students, employed personnel, benchwarmers, unfortunate out-of-work fuming hapless souls) know, the economy continues it's allegiance to gravity (despite what those omniscient analysts say to the contrary). This means a lot of people who would have been earning fat paychecks and driving [insert suitable sleek automobile label here] with a mere modicum of technical skills to help them along the way. Hey, in those good days, you didn't need more than a spirit of "I can master [insert suitable cool technology moniker] in a snap". No more days of working with low-level algorithms and squeezing efficiency and performance out of every [insert suitable atomic storage mechanism in appropriate programming language]. These are the days of APIs (aka the days of Java). Knowing the language is a small crumb in the pie. The APIs and the idiosyncracies of the language are what you need to get your skills honed in and these are what will get you a job (subject to the fatalistic probability distribution of the hiring and firing process. Joel Spolsky has a new post on this phenomenon. Vicious, direct and cogent.

frugal google

Google has a new service (in Beta) on their website called Froogle (a Google pun on 'frugal') that allows you to find information about products on sale online. Merchants interested in having their catalogues spidered and indexed and served to billions of Google users can avail of this service free of cost. Seems like a nice idea, and, true to Google tradition, bereft of evident (note: evident/apparent) capitalist underpinnings (aka betraying a "sell-out"). {link courtesy: james}

?

the auction seer is back!

It's been a long time since I've found something interesting in the desi element on eBay auctions. And this one is special. A set of items {note: link content may be invalidated after the auctions end} on auction. But since your humble narrator here is so willing, you can view the interesting fragments below...

* Rare Indian 7"- 4 WILD instrumentals- sixties: On auction here is a very hard to find instrumental 7" from Bombay end of sixties. These 4 club tunes are from the 1967 Mod film Aakri Khat and were not released other than on this EP that was put out in 1968. Chic Chocolate (obviously not his real name) was Bombay's hottest instrumentalist playing for all hip film music directors on Jazz, latin and rock oriented title tunes and club tunes. He's a master on trumpet, piano and percussion. He came from GOA
Tunes are TICKLE ME NOT, CONTESSA, EXITEMENT, FEEL CHIC. All are WILD!!!! It's a crazy mix of rock, bossa nova, cha cha, mambo, twist. Well, like you know it from RD Burman. The tune CONTESSA stands out because of the strong bossa beat, oriental melody and beatnik horns. Pretty unique and would not be out of place on the very best American or European crime jazz soundtracks from the sixties. Chic Chocolate was one of the key figures in the shift to western beat oriented compositions in the Indian film industry. Besides his work on filmmusic, he was leading a jazz band for clubs like the Taj Mahal and the Greens in late night Bombay. This is one of the top favorites of the Bombaybeat team. It's a great addition to your soundtrack / exotica / Indian jazz collection ANGEL records TAE 1465 1968, ORIGINAL! Only some ringwear and very light background noise: NM- . {note on Chic Chocolate below}

* RD Burman SHALIMAR OST Moog Sitar 45: Original pressing of the 1978 soundtrack 7" EP Shalimar by Rahul Dev Burman, aranged and condcuted by the great Kersi Lord. Contains the Top track ONE TWO CHA CHA CHA by USHA UTHUP (=Usha Iyer) and also the sleazy 'BABY LET"S DANCE TOGETHER' by Kittu. Sleeve VG++ (corners a littlebit folded), Record NM (unplayed). Polydor 221-334 {blaxploitation.com entry}

* KARATE Indian BRUCE LEE OST Rip off: One of the best Bappi records in his famous string of exploito movies starring the south Indian hero Mithun: KARATE!!! Hardly any traditional Hindi stuff here, 4 ultra long Hard Bappi Disco Tracks. Difficult to describe this record, how to describe 4 tracks? The�re ALL over 8 minutes, that�s the first thing, full off B-movie interludes. It�s an Orgy of Devastating Bappi Beats, Weird Moogs, Cheesy Girl Choirs, Boombastic Horns Sections, Funky Bass Lines but also incidental visits to the western genre and the Spanish Peninsular! All in the finest Indian SECRET AGENT / BRUCE LEE / BLAXPOLITATION tradition. This is a Hard Stomping Record!!! India 1983 Cover VG+/ Record VG+ (surface marks, but plays fine, actually as a VG++)

* WARDAT J.Bond/ Bruce Lee BOLLYWOOD OST: Ah! The 2nd part in the famous exploitation GUNMASTER G-9 sequel! Designed to be a mix of James Bond, John Travolta & Bruce Lee!! Filled with Bappi samples till the top! Ultra Loud Bappi Beats, weird keyboards, hilearious choirs, boombastic percussion solo�s, giggling ladies. No consistent songs here, but I Loooove the Hindi Ladies doing the James Bond Choirs�.Two tracks are sung by Usha Iyer, or Usha Uthup as she was called by then, the Grand Lady of Indian Jazz. She does some serious naughty gigling here: �Oooh I feel LOVE ! I hope you feel it too�.It�s really beautiful�Ha ha ha �.. It�s just too much now �hi hi hi I gotta get way�I hope all of you join on this trip. Including you. Mmmmm..... India 1980. Sleeve VG++. Record in not too beautiful condition, the best I could find. VG+ (many surface marks, no audible scracthes) But loud pressing, so sounds fine!

* crazy Bollywood SOUNDTRACK Upaasna 1975:Wow! One of my favourite Indian soundtracks of all times! Great cover, which pictures the sleezy westernized nightclub life which seemed to obsess 1960&1970's India. The lady in the back is Helen, India's most famous Cabaret dancer who made her debut in the 50's but was still rockin' in the 70's. The 10 minutes track 'Meri Jawani' lives up to the cover. The music is by Indian sleez-jazz masters Kalyanji/Anandji and this is one of their incredible highlights in the genre. As usual a paralysing multitude of themes, melodies, genres and instruments pass by. It takes them 4 minutes and at least 12 diffenrent themes to come to the song itself, sung really beautiful & intoxicating by Asha Boshle on a relaxed jazzy groove. In between the track builds up with horns and percussion. It builds and it builds, hysteric flutes, strange noises & rattles, strings of whole piano's being hit and finally it explodes into a frantic bongo madness with bone squeeking screaming. This is so rich, and so weird. Beyond any category. Sorry, words fail me to describe. Listen yourself: (Record Unplayed, Cover between vG+ an VG++ No small tear like on photo) {blaxploitation.com entry}

All these are auctions from Milan and Edo, who dig the Bombay Beats.

new tools from google labs ... and a timeline

Google Labs have a couple of new tools out: the Google Viewer which allows you to "view search results as scrolling web pages" and Google WebQuotes which allows you to "view search results with quotes about them from other pages" {courtesy: blogdex}

with the year coming to a close, here's a retrospective from the Google Zeitgeist.

flames of inspiration

have been meaning to post a link to rick mcginnis' take on Sholay, India's Citizen Kane (arguably yes, but I think of the melodrama-soaked Mother India as an epic rather than a showcase of brat-pack filmmaking talent). It's interesting that he quotes heavily inspired director Vikram Bhatt's retort as An amazingly witty comeback, and one that manages to combine postmodernism and reincarnation in one seamless, cynical sentence.

books, music, SAWG and a hot wok

made a short trip to AFPL yesterday on my way home and picked up some music and a couple of reads.

* [music]Greatest Hits/The Cars {should be a good introduction to the radio-friendly New Wave pop-rockers}

* [music]Tommy: The Original Cast Recording

* Critical approaches to writing about film/John E. Moscowitz

* The best american movie writing 2001/(ed)John Landis, Jason Shindler, James Robert Parish

The first SAWG meeting in regular time (the last meeting was cancelled for want of a quorum). I caught only the tail end of it, however, thanks to my planned library detour. Dinner followed, at Hot Wok (the third time I've been here: the first being in Spring 2001 and the second in Summer 2002). It's a good novelty restaurant with interesting service (honestly, I have no way to describe the behaviour of the server -- he's postmodern, sarcastic, terse, dismissive, polite, quick, informative, redundant, helpless...). The only pitfall (and it's quite important) is that you end with too little for what you're paying. And they don't have the triple schezuan that I miss from Pune -- which correctly localised "Indian Chinese" food. Incidentally, the wok is a large circular frying pan with 2 handles used for Asian cooking. Use that to impress your friends the next time you decide to take them there.

pandit treasure ...

The problem with a movie that bites the box office dust is the loss of a potentially promising soundtrack ... Thanks to Aditya for drawing my attention to one such soundtrack: Jatin Lalit's efforts for Sangharsh, the Tanuja Chandra-helmed disastrous desi version of The Silence of the Lambs (yes, murder with hams and songs). This is a curious soundtrack. Sonu Nigam sounds more like Mohd. Rafi (which is who he sounds like to begin with) here than in any other album: check out mujhe raat din bas (which incidentally sounds like an old Rafi song (zamaane ne maare from JL-favourite RDB's soundtrack for Bahaaron ke Sapne and mujhe dekhakar aapka muskuraana from Ek Musafir Ek Hasina) and also includes a sample motif from Paul Anka's Bring the wine, which JL first used in jaana suno for Khamoshi - the musical. The first song on the album, dil ka qarar is JL's take on the Nadeem-Shravan style of music (which apes a mix of the SJ/LP styles of music), except the dholak rhythms are better (even more RDB-like, especially a little variation that harks back to machal machal jaata hai dil). Then there's the wonderful yet neglected naraaz savera (plug: the Firodiya Karandak entry for 2002 from my undergrad alma mater COEP included this song in their playlist). Just as Vishal's undoing has been a Lata (read: a lotta) Mangeshkar, JL's undoing is twin: Goan yoddler Remo Fernandes and Dharaavi Diva Jaspinder Nirula. In other words, skip/erase manzil na ho koi whose only saving grace comes from some catchy interlude riffs (and a coda that quotes liberally from the extended opening of the R D Burman classic Piya tu ab to aaja). There are also signs of the Pandit mafia here, what with another sister (Shraddha Pandit) popping up.

If there's just one song you must listen to, choose Sanu's naraaz savera with rather competent lyrics from Sameer.

move over pizza hut and papa johns...

here's Amul with low-priced quality pizzas. This could achieve the same level of success that the T-series high-quality low-priced CDs did. All the best Dr Kurien.

weak ends

sunday, december 08, 2002

More TNG reruns fill my afternoon, after lunch at Curry in a Hurry, a "fast food" Indian eat spot in the Global Mall on Jimmy Carter Blvd. The biryani was the closest I've ever had to something from back home. The spice mix could turn you off, if you're not a fan of Indian cuisine. Bland food junkies stay home and gorge on mashed potatoes. All others welcome. Don't let the spartan milieu fool you. And while you're there, take a look at their menu -- the last page has cool details on the ingredients of Indian dishes -- an eyeopener even for the average Indian.

saturday, december 09, 2002

what does one do over the weekend sans transportation? precious little. Watched the rest of Flawless (started it off on Friday). Strange overtones of P T Anderson, but that's possibly because of Philip Seymour Hoffman giving the role of a misunderstood 'drag queen' ("Well, life's a bitch, so I became one, honey!"). Robert de Niro lunges at the opportunity to play a stroke victim and the film suffers from the effects of the Joel Schumacher school of filmmaking, making it essentially lightweight, lacking enough depth to be an interesting character/relationship study. And the damn DVD had no english subtitles making it an ordeal trying to figure out what Walt Koontz (de Niro) was mumbling... but then you get used to it .. Lady Marmalade resurfaces, predictably, but it's such a fun song.

prime video

One of the ongoing efforts on RMIM has been transcribing film songs (and the occasional non-filmi song) into ITrans. The latest addition is a rather interesting one. It's a transcription of a Jagjit Singh song...the lyricist being the current PM of India, Atal Bihari Vajpayee (henceforth to be referred to as ABV{P}). Wow! A talented Prime Minister ... and a poet at that. Well, the album is titled Samvedna Sensitivity, which is dumb tautological redundancy (patented worthless phrase there)... Samvedna means Sensitivity, so this is like saying major major major major, halved of course... Chuckles aside, the lyrics aren't earthshattering either ... this transcription also includes the translation and there's a three course serving of clichés buried therein. And they didn't even stop at releasing this aural assault on current media (tape, CD?). They even made a music video featuring the budding (wilting?) lyricist, the unfortunate reliable voice (and face) of Jagjit Singh and Indian hoagie Shah Rukh Khan.

Flashback to 1998 when "swarachandrika" (sound of the moon/moon of sound/the silver-voiced one ... all bunk) Padmaja Phenany Joglekar (who before this tragic politically tainted musical foray could have lived life as a talented respected singer) decided to record an album of songs written by ABV{P}, who was a PM in stealth mode, unofficial but not official. Following the recording (and here I quote from a can of vitriol by Varsha Bhosle) "she moved the courts to restrain the Election Commission from including the cassette costs in Hajpayee's poll expenditure -- even before the cassettes hit the stands. Then, "the day after Atalji's album was released," Padmaja presented VP Singh a copy, who gave her his book of poems, and then "I set it to music, sang it for him over the phone and he said, 'Aapne meri kavita ko dulhan jaise sajaya hai'." ". That last part meant "you have decorated my poetry like a bride-to-be" (sigh!). Considering the rather mundane childish[sic] quality of the verse, shouldn't this be as illegal as child marriage? By the way, in case anyone's interested, the album's called Geet Naya Gata Hoon (I Sing a New Song). Yeah yeah... new my gluteus.

If it isn't already clear, the only reason we are subjected to this aural deluge of premiere sludge is because shri ABV{P} is the PM of the nation. It's like Bill Clinton inflicting SACDs of his saxophone performances on the US of A. And Ma'am Joglekar is now a Padma Shri only because her lyricist was such a big wig {pun?}. Pity.

I'm sure you're really really keen on reading fragments of premiere poetry and I won't disappoint you. As a sample, here's what the nation's old man had to say about his poem hum jang na hone denge (We won't allow a War): ``You must be thinking that on one hand I wrote anti-bomb poems and on the other hand made the bomb. There is a dichotomy in this,'' he said. The poems, he added, were real and written after seeing the devastation at Hiroshima and Nagasaki, ``These lines were written with the colour of my blood.''. You said it, Atoll.

As a sidenote: ABVP also happens to expand as Akhi Bharatiya Vidyaarthi Parishad (All India Student Council), which is the "world's largest student organisation" in India. Relish any irony you can find here ... yet another organisation with its own modular agenda.

mystery of the missing restaurant

We chose Malaya Cafe on Shallowford Road as our Thursday dinner venue. When we got there all we had was a mall with enough decay to echo certain streets in India and no sign on the cafe (despite having an entry in the mall directory totem). To make amends, we ate at The Mad Italian instead, which has the ambience of an IHop. Good food, fair prices.

william shatner...

answers questions on slashdot. curt, but still rib-tickling.

welles echoes hitchcock ... and cartman markets revenge against parents

Caught The stranger on TCM and juggled breaks with the new season of South Park (Stan's sozzled future self pays him a visit to warn him against the dangers of drugs and Eric Cartman manages a business specializing in exacting revenge against parents. And then there was the other episode which trashed Russell Crowe). But I digress. The Stranger is a nice little noir nugget from talented brat Orson Welles showcasing his sense of style and his understanding of the medium and his successful attempt at showing Hollywood that he could make a film on their terms, on time (even finished a day before schedule) and on budget. The plot recalls Hitchcock's Saboteur and Shadow of a doubt and Charles Rankin (Welles)'s speech at the end (as well his alter ego's obsession with clocks) would show up again, in memorable form, in The Third Man.

related: a pocket reference to the film

unrelated link: South Park roll-your-own sound mix boombox

expensive reading

The one thing that strikes you most when you come to the US for higher education is the price of textbooks ... given my over-cynical view of academia in general, I find it unreasonable to price "high-brow" pseudo-fiction so high as to potentially dissuade people from studying something. And American students are constantly amazed that a $55+ valued textbook for a core class can be obtained legally in India (among other South-Asian countries) for about $8. Christopher Dreher attempts to find the answer to the burning question why do books cost so much?

software art ... not engineering

Software creation has traditionally been regarded as pure engineering (even clearly artistic aspects like user interface design and socio-computing aspects like human computer interaction and human factors have suffered as a consequence). Richard Gabriel, a distinguished engineer at Sun Microsystems advocates a programme that offers a "Master of Fine Arts in software", perhaps to restore the Poetry of Programming. With my ambivalent state of acceptance for Java, I rather liked his response to the final question on the page.

another boat club grass eater gets on board

Following the début of NP, we have Laxman Sylvanium aka BVHK.

e-culpa aftermath

In the world of newsgroups and mailing lists there are cardinal sins that everyone inevitably commits out of ignorance, sheer lack of cogitative capabilities or plain old-fashioned bad luck: posting personal responses group-wide, replying to posts with nothing to add, quoting entire long messages in your reply ... After having cursed numerous such examples on newsgroups and mailing lists that I monitor and post to, I finally fell face flat (obtuse etymology below) by inadvertantly posting responses to a quiz group-wide on a mailing list... What made it really bad was that this was on the day the quiz was put out, making it impossible for the quiz to continue. Of course, I could blame it on the interface offered by the Yahoo! Groups web-based front end where a single "reply" button defaults to a post to the group instead two buttons ("reply to sender", "reply to group"). Every mail client I used so far seemed to support the two-option approach instead of Yahoo!'s convenient[sic] single button avenue. But it's all mourning over spilt milk ... the cats are in, lapping it all up. Best forgotten.

obtuse etymology for face flat: I've been reading Barry Kernfeld's wonderful What to Listen for in Jazz, in small helpings, of course. A page in the chapter on form included a discussion on the choice of chords accompanying a tune and one of the descriptions took on a completely different (and interesting meaning): The chord was F A C E^b: aka F⁷. And a good way to read it would be FACE FLAT. Useful.

reading habit upgrade

With my evening bus and train home going out of sync, I found time to kill and decided to drop by AFPL. I had a few items on hold, but a casual walk about the new releases and the DVD shelves resulted in me walking out with a tad more loans than I could handle. A mixed bag that should keep my free hours busy.

* DVDs:The Bridges Of Madison County and Flawless

* Haunted/James Herbert

* Sergio Leone: Something to do with death/Christopher Frayling {brief}{review}

* Lullaby/Chuck Palahniuk (just in case you forgot, he wrote Fight Club)

* Step Across the Line/Salman Rushdie (more about this below) {review}

* From a Buick 8/Stephen King (I'm a Stephen King fan, so I was obviously thrilled to see this, although he seems dangerously close to the verge of becoming predictable and assembly-line) {review}

Rushdie's new book is a collection of essays, past and present on topics ranging from his experiences surviving the fatwa, his obsession with The Wizard of Oz, the death of Princess Diana, India, Midnight's Children, being photographed, and titular mystification. His film and music essays contain occasional glimpses of his roots in magic realism, but his non-fiction, for the most part, lacks distinctive style, but is quite readable. He has no earth-shattering observations to make, but fuses creative and critical instinct with his experience to come up with a rather readable collection. I caught him on CSPAN when he was reading from this new collection, and to date, he has been the only person I could stand on CSPAN (even Joe Queenan turned out to be a sad complaining weather bag with precious little to say and relying on the past glories of his Red Lobster... days, his entertaining cynical observations now sounding like senile whines). Perhaps it was his Indian connection. Perhaps it was his British accent. Perhaps both. Did anyone notice that his girlfriend Padma Lakshmi shares her name with the narratee in Rushdie's magnum opus Midnight's Children?

scratch it ...

Picked up the Soul Train 25th Anniversary Hall of Fame 3 CD box set with a nice colourful booklet to go from the Dekalb County Library yesterday. Oodles of sample-able soul and funk ... including treats like The Isley Brothers' It's your thing, which was used to close Out of Sight.

There's also Herbie Hancock's Rockit... which featured some really vicious vinyl scratching ... and then I had to dig out an RD Burman compilation of mine to retrieve an Amit Kumar song O Haseena from the disaster-fest Ek Main Aur Ek Tu, which showcased RDB's love for the same ... wonder if any other Bollywood music directors ever did this.

another one bites the blog

a resounding welcome to niranjan pedanekar, the oldest[sic] attendee at the Boat Club Quiz Sessions in Pune (the grassy knoll and all that) who has just entered the blogosphere. Content and a hopefully better template are coming up shortly.

music, another indian restaurant, and a movie

(reverse chronological order)

sunday, december 01, 2002
Began the new month recovering from a surprisingly welcome Yesudas song on WRFG -- haven't heard them play him in over a year. And then there was another ... and another ... Still reeling from the great playlist they had for the old segment (instead of songs from the 40s that absolutely no one in the small listener group they have has heard of), we inaugurated the month with lunch at Haandi, another Indian restaurant on Indian Trail. Modestly priced sumptuous food -- I'd recommend the Hyderabadi biryani. And the paper plates seem to be a vestige of a legacy of take outs, but that's a minor annoyance.

Minor annoyance in a CD exchange ...

We also took the opportunity to pay our respects to the Mars Music store on Pleasant Hill Road -- they're going bankrupt and consumers had promptly stripped the store bare ... it was both interesting and unsettling to walk past empty display racks, which once supported guitars from leading brands (yes, I'm partial to guitars .. the other sections were equally barren). Next door was Universal Groceries {last time} and I promptly picked up some more Hindi film CDs:

* Swami Dada/Hum Naujawan

* Godmother

* Bemisal/Jurmana

* Arth/Saath Saath

* Umrao Jaan/Bazaar

The rest of the evening was a quick trip through the commentary track of Rashomon and then my second attempt with audio books: Dashiel Hammett's Red Harvest.

saturday, november 30, 2002
Grocery shopping was the chore du jour. The Asian Variety Show concluded their mini-series dedicated to hyping Deepa Mehta's latest directorial venture Bollywood Hollywood, a North-Indian love story played out as an affectionate spoof of Bollywood film conventions and set in Canada. They also featured audience reactions to the shot-completely-in-New-York desi take on Meet The Parents.

..!..

the big american holiday, a bond fest and ... a haunted house revisited (reverse chronological order)

The whole nation (the US of A) celebrated Thanksgiving, a commemoration of the feast shared by the Pilgrims and Indians that has now become "a great time to be with family" (which is a unique idea in this country of isolation and independence) and to cut up several instances of meleagris gallopavo (pronounced: mel-e-ay-gris gal-low-pay-voe) yesterday. As is always the case, history textbooks have toned down the true nature of the 'feast' and its aftermath (a subsequent slaughter of the Indians) -- like inmates taking over the asylum -- which makes the festival like celebrating the war of Vietnam with a float parade. Today (Friday) kicks off the pre-Christmas shopping season, with fantastic[sic] offers at stores in the early hours of the morning. All chain stores offering electronics, home products and clothing will be packed with people from all classes of society walking about with overstuffed large shopping carts standing in line to charge obscene amounts to their credit cards and then dump their wares into owned/rented/borrowed SUVs and RVs. Squak!

Last year I got my first pairs of American shoes: a pair of Adidas sports made in China and a pair of Skechers. {reference | reference}

I celebrated[sic] Thanksgiving with TNN's Bond movie marathon (yes, being a good couch potato -- which is what I probably would have done even back home) and listening to music. Dinner at a friend's place in the evening ensured that I got my supply of seasonal turkey.

Caught The Others (and special features) on Wednesday. Can't talk too much about the dynamics of the plot of this excellent 'haunted house' nugget without spoiling the nifty twist. There's a strong competitor in The Sixth Sense, which had a bigger budget and still ended up looking cheaper (remember the boom mike hanging down in one of the scenes?). The other competitor is a perhaps obscure British film called Haunted. Great performances enhance the creepy atmosphere of this artsy atmospheric scare-a-do as do the location (Spain), the technical contingent and the music (composed by director Alejandro -- pronounced a-la-haan-dro -- Amenábar himself). I loved the kids and their dialogue. Besides, I have a soft corner for talented foreign filmmakers who make English films -- their work affords the language a respect and dignity that English/American-speaking directors often miss out on, taking it for granted. Other examples include Michaelangelo Antonioni's Blowup and Truffaut's Fahrenheit 451.

piff!!

The first Pune International Film Festival opens on Friday, November 29, 2002 {at the same time, half way around the globe, desis and other South-Asians with join Americans of all races and creeds in a capitalist binge as they line up to pack stores across the United States in the day-after-thanksgiving sale}. Former Amitabh Bachchan shadow player/disillusioned Osho-ite/B-ham and current minister of state for tourism (recently starred in Leela, a movie shot completely in the US of A and catering to the NRIs aka the Indian diaspora) and cultural affairs Vinod Khanna ... {read more}

Related: Upperstall's review of Leela

laugh out loud

Guess what the King of Pop, multiple-rhytidectomy specialist Michael Jackson hates ... pop music. {read on}

spiderwood

If SpiderMan were filmed in Bollywood, then it *might* look a bit like this. Pardon the Middle-Eastern touch in the music though ... {link courtesy: blogdex/Chris}

robin hood -- southern style

extract from the New York Times (with my emphasis):
A city utility employee in LaGrange was arrested on charges of stealing from business customers to help the poor pay their bills. The worker, Cassandra Dickerson, 34, was charged with stealing $3,000 from the LaGrange Department of Utilities, where she had worked for about a year. Investigators said she diverted payments from businesses to help people who were behind on payments or needed deposits to get gas, water or electrical service.. Based on my rather uneven experiences with utility companies, I owe an iota support for her feelings ... I still think theft is wrong ... but I'd dare to classify what the utility companies indulge in as white collar crime. Classic case of stealing from the thieves ... but then, we live in a society governed by a framework of law that is wordy and complex to facilitate correctness (and circumvention as a side effect)... {link courtesy: Chris}

gate of truth

Saw Rashomon again. Distorted reality, false flashbacks, simple yet intriguing plotting, Japanese expressionism: it's all there in this great film. Special features: Robert Altman talks about the influence this film has had on him, a bio-minipic on Akira (pronounced A-kee-ya) Kurosawa's cinematographer Kazuo Miyagawa.

Got a couple of books from AFPL too: Is That A Gun In Your Pocket?, Rachel Abramowitz's look at women in power in Hollywood; and Colonel Sun, Kingley Amis' sole and admirable contribution to the James Bond written canon.

primal deewangee

Deewangee had caught my attention when the plot sent a postmodern shudder of déjà vu up my spine. Turns out that not only did Anees Bazmee and Co. regurgitate the plot of the film, but they also filched a song used on the soundtrack of the source! Ismail Darbar's composition ai ajnabee borrows merrily from Dulce Ponte's rendition of Canção Do Mar by Frederico de Brito and Ferrer Trinidade. Could this be Bollywood's first Fado song?

saving tintin

Tintin is slated to make the transition to the silver screen and Steven Spielberg (last seen attempting something like this with Hook). Tintin (like Asterix) seems to work best for me as a cartoon character ... can't bear to see some acne-plagued teenager (dude!) wandering around with an orange plume on his head ... accompanied by the sensuous strings of John Williams ...
{link courtesy: Vivek}

tower rocks

After some lunch at Maggiano's Corner Bakery I finally got a chance to visit the new improved spacious ostentatious awesome Tower Records store in Buckhead. Truly a store for people with eclectic taste and a penchant for used CDs (the latter being a rather general characteristic -- CDs are overpriced anyways...). Got myself a good little haul:

* Blaxpoitation 4: Harlem Hustle {a 2 CD compilation of soul, funk and groove tracks from the likes of The Temptations, Isaac Hayes, Curtis Mayfield, James Brown, Earth Wind and Fire, Herbie Hancock, Marvin Gaye and The Delfonics}

* The Beatles/Anthology 2: The best pick of the lot. Finding this in the used CD bin is a godsend. The original item is priced high enough to be unaffordable and the prices on eBay skyrocket to absurdity. If only Volume III would appear ...

* Swaraj: Purchased purely on instinct, this is a compilation of South Asian club/DJ mixes including a remix of Maye ni Maye from Hum Aapke Hain Koun.... My favourite track is Path of the Blazing Sarona by Ravi Harris -- a nice mix of funk bass and interesting percussion patterns. {listing}

bond lives ... to die another day

Finally, Pierce Brosnan gets to make the character of 007 his own in the 20th Bond flick (celebrating 40 years of the "official" Broccoli enterprise) Die Another Day. The series finally gets off the Ian Fleming literary source and this is perhaps the first movie that has very little to do with the novels and their mythology. The title (like Tomorrow Never Dies) has no grain in the books (The World Is Not Enough was the motto of the Bond family: see the book/movie On Her Majesty's Secret Service). There are the usual double entendres -- some make you smile, and there are some you expect, and some that just make you groan (more on this later). There are a lot of references as the film pays homage to the series, and they're quite easy to spot too (see note at the end). Brosnan makes Bond vulnerable, human and yet doesn't allow the character to lose it's suave, sardonic, flippant edge (something that Lazenby failed to do ... and Dalton was completely submerged in the high sorrow-and-suffering coefficient of his two ventures). The motif of choice is ice -- be it in the film, the previews, the credit graphics and even the in-theatre ambience. The theatre (Regal) had "007" in 'ice' font on all the doors and there were ice blocks outside the complex when we made our way to the parking lot ... Interesting touch. The opening titles are a nice blend of traditional Bond nudes against CGI set against the continuing narrative (something I don't recall having seen before ... I could be wrong). Then there's the bullet coming out to hit you in Maurice Binder's legendary introduction for Bond (I wonder if this is the first film to do that or whether it's something that was added to the Brosnan canon). John Cleese reprises his role as the new Q, and in getting the best line of the film, makes up for the rather poor characterization he faced in TWINE.

The film isn't without it's share of non grata. Madonna's theme song sucks -- as a Bond song. It's a Madonna pop song with oodles of hip-hop/new-wave electronica to assert her compliance with current trends. Which means it sucks on all levels. "I'm gonna avoid the cliché" she sings. Well she sure succeeded -- in a terrible way. The font used for the opening titles was rather ordinary and failed to complement the 'icy' nudes. Madonna's song worked better against the end credits, but by then the damage was done. The CGI in some scenes is painfully obvious -- especially when Bond surfs a tidal wave -- the ice mounds look straight out of Hallmark greeting cards. {david arnold about madonna's theme song}

But we must save the best for last. I smelt something rotten in the film and it was called Halle Berry. Clearly added (along with the grating aging decrepit Madonna) for American attitude and appeal. She lacks spunk, sucks at her lines (making the bad lines sound terrible and destroying all the good ones), misses her cues destroying the timing of the rejoinders written for her. Everyone in the supporting cast (except Madonna, who, to be fair, is there only for a short while, giving her no chance to trump Halle for the Worst Actor award) including the third American token ably done by Michael Madsen rocks (no pun intended). But Halle is as uncomfortable as Kate Hepburn in a van Damme vehicle -- actually, to keep the analogy accurate, make that like Steven Segal in a Shakespeare adaptation. In awarding her the Oscar for Best Actress the Academy seems to have committed the most socially, filmologically, racially offensive act in a long time. And much as I would have loved to write this film off as a clear strong entry in the series, Halle makes it Berry Bad. Rumours of a spinoff Jinx (her character's rather appropriate name in the film) vehicle abound. Expect to see BellSouth and other consumer-friendly utility providers to complete the irony with corporate advertising. She dingles.

The best little dig (note: triviamongers) comes when Bond picks up A Field Guide to the Birds of the West Indies. Ian Fleming named his secret agent after one of the authors of this book.

movies can teach you things you know: Thanks to this film I now know about conflict diamonds ...


other reviews: the new york times, roger ebert.

bonus: To prepare us for a good time we had a preview of a new Chow Yun Fat action flick called ... wait for it ... Bulletproof Monk {official site}. What are they going to think of next? Non-flammable Nun?

Illayaraaja pips to the top

In a rather surprising turn of events, Illayaraaja's Rakamma (from Mani Rathnam's 1991 cop-robber bloodfest Dalapathi) topped a worldwide poll for the most popular song on the planet. I can imagine the Japanese, big Rajnikant fans that they are, to be dancing all night in celebration over this. It's hard to believe the fairness of this poll -- electronic booth capturing is a plausible explanation for the poll. After all it's probably only a web cookie that the poll managers used. And who can stop a horde of loyal fans from skewing the results. Poll results must always be taken with a grain of salt (which is tough to do if you agree with the results). On a related note: Anand Milind (regular bulk consumers of Illayaraaja's music) appropriated the song for their Tu tu tu in David Dhawan's doppelganger commercial blockbuster Bol Radha Bol.

friday blues

time ticks away ... have to be somewhere ... stuck at the desk ... staring at the screen ... it's Friday ...

pun fun

This is just what the doctor ordered: Puns Galore is a search engine for ... wait for it ... puns! Definitely worth a look.

run pelle run

Caught Pelle the Conqueror, although I wasn't paying too much attention. Wrong kind of movie, wrong time. Good performances from Pelle Hvenegaard and Max von Sydow.

diapera

Check out this talented infant {link courtesy: Aditya}

reruns

With Die Another Day nearing release date (Friday, Nov 22), TNN has started off a series of classic Bond re-runs hosted by the reticent Pierce Brosnan and the keener Halle Berry. Caught The Spy Who Loved Me yesterday and realised how little of the film I remembered. It's one of the best (imho) Bond films not based on an Ian Fleming book. Well, yes they used the title, but the film has zero, nil, nada to do with the plot of the book (which is in itself a misfit in that lineup). The sequence where Karl Stromberg sends his secretary to the sharks for treachery foreshadows the extended sequences in Ramesh Sippy's technically-slick (by Indian standards) box-office dud Shaan.

Made a mini haul at AFPL just as a break from the drizzle and the descending dark

* Shickel on Film/Richard Schickel

* Red Harvest/Dashiell Hammett (audio book)

* Dashiell Hammett omnibus/Dashiell Hammett

* Transition/John Coltrane

* Halloween sound effects

* All the Other Things I Really Need To Know I Learned from Watching Star Trek: The Next Generation/Dave Marinaccio: This is a great quick funny read that is accessible even to people with only a marginal awareness of the award-winning cult TV series.

Thanks to TCM, I caught A Fistful of Dollars and For A Few Dollars More. Had to turn in early, which is why I could only catch the opening of the final film in Leone's spaghetti western trilogy with the variously-named Man with No Name (Joe, Monco, Blondie). From such a viewing of the films one after the other, it is clear to see the effects of an increased budget on the vision and ambition of Leone. While the first film can seem stagey at times, Leone is a man who loves to build canvases and set things up for us. Check the openings of each of the three films in chronological order. Of course we must forgive the unfortunate circumstances that films like these were made in: Eastwood spoke in English while the Italian cast stuck to their Italian (wild west indeed!) and the dubbing leaves lot to be desired. The former was based on Kurosawa's Yojimbo, which was an uncredited screen version of Dashiell Hammett's Continental Op novel Red Harvest. Walter Hill's 1996 remake Last Man Standing set the same narrative in a Prohibition era ghost town (Jericho, Texas) with Bruce Willis as the gunslinger caught between the two warring gangs: one Irish and the other Italian (homage?). The second Leone film seems the obvious inspiration for the 1985 Sunny Deol-Anil Kapoor flick Joshilay, whose directorial credit was bestowed on Sibte Hasan Rizvi after Shekhar Kapur (whose career is peppered with half-finished/abandoned projects) left the film midway.

santana makes bollywood film composing début

Well, technically, not our man Carlos who last contributed to the soundtrack of Rahul Bose's directorial dé Everybody Says I'm Fine {as a cross-plug here's nidhi's review of the film}. Instead, we have the offspring of Shravan Rathod (and nephews of singer Vinod Rathod), member of the "inspired" composer duo Nadeem-Shravan reviving Smooth/Corazon Espinado. Maybe it's my imagination, but I can hear Santana all over Deewana Deewana from Rishtey. And Udit Narayan with his inconsistent and errant ennunciations cannot claim to be even a passable desi adaptation of Shri Thomas of Matchbox Twenty for one. Perhaps it's just Sanjeev-Darshan crystallizing their ideas of latin pop...

our man flint is no more

Tough guy James Coburn passed away yesterday at the age of 74.

obits: ABC News, the Miami Herald

!

rude ... but enough to send you rolling over in the aisles

The HisTory of Michael Jackson's face is a photographic history of MJ's face ... right up to the present, where an unfortunate in-court rhytidectomy put Wes Craven, Sam Raimi and the guys at Hammer films to shame. {link courtesy: james}

a couple of social evenings, some music and moroccan chicken

Aside from the rain and severe drop in temperature (severe with respect to prevailing weather conditions, mind you, not based on the plight of the people up north), it's been a relaxing weekend.

We had two social get-togethers at our home, with me in the role of resident guest (as also assistant to the host). That covered the evenings of Friday and Saturday. Dinner comprised tortilla chips, cheese dips, soda, brownies, salted peanuts and tiramisu. Needless to say, there were quite a few trips to the restroom to address the issue of inundated bladders.

Saturday was a day of firsts. I won my first CD (read: my first anything) in the US, courtesy the Asian Variety Show that airs on PAX every Saturday morning. The CD: Adnan Sami's new album Tera Chehra. Thanks to Chris (once again) I also got my first Beatles CDs: Revolver and The White Album.

The Indian eating place of choice to add a bright spot to a bleak rainy Saturday was Daabha in Smyrna. Best ambience and layout I've seen for an "Indian café in Atlanta". Harked back to the days at Smoking Joe's back home in Pune. Except for the standard American ceiling, everything clicked. And the food was good too -- try out the chicken hariyali kabab if you're tired of chicken 65 and the like. Songs from Rangeela, Dil Chahta Hai and finally Dil (which incidentally featured in the muzak for one our previous Indian outings, Annapurna).

Finally finished watching Out of Sight with the accompanying commentary track featuring Steven Soderbergh and screenwriter Scott Frank. I'd recommend this commentary track. Lots of trivia, in-jokes, and laughs as the two consciously mock each other, everyone in the film as well as the convention of doing a commentary track {To paraphrase them: "here we go again ... two white guys sitting down to talk about a DVD ...}. I also caught an AMC documentary on the Alien movies. It was great to see H. R. Giger on screen (I've never seen him before) and also to know that he was actually involved in the production of the movie.

I discovered the joys of the slow cooker yesterday. My inaugural effort was moroccan chicken. Add the ingredients, start the cooker off, go to sleep and return in the morning. Low-effort, low-cost. Of course, for some weird reason, the moroccan component seems to have either (a) left the building (b) forgotten to assert itself.

open source suckfest...and some bad coffee

maybe it's me ... maybe i'm just having a bad week ... i've been staring at terminal windows for the last couple of days working with some of the premier products of the open source world: apache and tomcat. First, I couldn't find either an RPM or a Linux binary archive for the latest version of Apache: 2.0.43. Not finding an RPM is understandable, but then the absence of a binary for Linux (arguably the most popular platform for Apache) is suspect. Of course, I could get the source archive and compile it and install it. Sure, but I'm not enjoying a day at the beach... I have deadlines here. Software exploration is not something you do on work time. And I can't bear to sit up late staring at a display and going into trance mode over scrolling lines dumped by the build process.

I finally find some binary RPMs (yay Google...<censored> to Apache). But the installation paths are completely different and the RPM extraction to a temporary folder does not work. Clearly, you see, it is not my day. Finally, I decide to venture into building my own binary RPM starting with the .spec file based on the source RPM (consoling myself that there was always the possibility of self-improvement). Now RPM is a widely used package management system that came out of RedHat. Of course, as one may expect, some of the subtleties are not obvious (duh! that's why they're subtle..yes, yes) {like the "remember that your java source file should have the same name as the class it contains" ... double duh!}. Things like these seem obvious to those in the know but are quite frustrating to débutante practitioners of the art of modular coffee.

So I finally manage to construct the RPM. Of course, I've already installed Apache the hard way. Next up, Tomcat. There's an RPM (hurrah!) and the default installation works. Except for the documentation, which refers to non-existent scripts and versions older than the one I have. Bah! Then the big step, getting the two to work together (for those who are interested in the technical details: get Tomcat to serve JSPs and servlets and leave Apache to manage all static HTML). This has surely been attempted by several people out there, yet documentation is sparse, varied, and laden with conflict. As the sun sets, my enthusiasm for this new exciting[sic] technology has hit new lows. With everything going XML, our friends in the Apache forge have decided to hop onto the wagon. This is scary, at best, and horrifying at worst. Remember how Apache got its name? Well, (officially) out of respect for the Apache tribe. The popular story involves "A PAtCHy server" based on existing code and some 'patch' files. Clearly the foundation is one of cure and fixes and not of prevention. I'm sure the innards of the new XML-ized modular avatars of software emanating from the foundation are still as patchy as they used to be. The modular front is just that -- a front. To be fair, some of the software is really cool (like ant, which is an XML camp dude's simplified version of a Makefile -- with semantic tagging and all that sugary stuff that gets people all up these days). But there's too much of pushing XML where complexity can escalade.I finally abandoned my attempts at getting the [step]children of the Apache Foundation to talk to each other and decided to go ahead with just the feline teenager.

Next up, deploying a J2EE web archive (known in the Java-intoxicated community as a WAR -- Web ARchive -- get it?. This again (sigh!) was easier said than done. All the documentation told me I was doing the right thing, but the software refused. And after all, the software is always right, not the documentation {I'm patenting this line ... no takers please!}. So I go about the old low-level way of moving files over and on to my next task: getting the stuff to work. Yes, I am now doing my best impression of Sisyphus. So the documentation on the "official" sites didn't help much. If the provided sample application flunks, what more can a poor guy like me do? Finally, a friendly tip and a pointer to a book helped! The wonders of indirection.

I'm probably being over-critical about Java -- but it's the hype that gets my goat (bleat bleat!). For all its claims at solving problems in software development and allowing developers and corporates to focus on business logic instead of code. Well, Java brought in added baggage: a new way of coding and thinking. And a lot (and I stress that: a lot) of Java programmers have a background like mine: imperative programming (C) and hacky modular coding (C++). Few among the crowd would invest time in "unlearning" their ways or adapting an alternative route to understand Java better and use it appropriately and to their advantage. The result: a storm of buzz words and code that's worse than the C/C++ code slew that Java aims to quell. There's a lot of cool stuff happening in the OO world and a lot of it is in Java. But it's happening too fast. The "smart" suits are extracting new lingo and the "smart" technical jeans are getting some more meat in their sandwich, but learning never got onto the boat. Sayonara education. Lay out the red carpet for some coffee: it's strong and we're out of milk and sugar.

the great illusion

would have been the title of Renoir's masterpiece had they translated it correctly. This and more in the lovely commentary by Peter Cowie accompanying the film. Finally, after long last, here's good commentary that gently mixes cast bios and observations about the scenes in the film to provide cogent (in my opinion) evidence of this being a classic film. There are several heart-rending moments that are presented with simplicity and dignity, avoiding the maudlin mush. Highly recommended. And no, it doesn't feel long. If you're looking for mindless formulaic entertainment go watch Half Past Dead instead.

Got a couple of books from AFPL too:

* Suspects/David Thomson: A great book of well-etched bios of famous people in film fiction by one of the most under-rated film critics around.

* Hooked/Pauline Kael: Another collection of caustic outpourings from the Grand Lady of American Film journalism.

a grand illusion

We started watching Renoir's acclaimed La Grande Illusion yesterday. A WWI film that was classified as propaganda by the Germans during WWII, this is a simple moving account of people torn between sentimentalities and duty. Inspiring countless movie sequences (digging the escape tunnel in The Great Escape, the singing of La Marseillaise in Casablanca), this film makes all its points succinctly: choosing to delve not on the politics of war or the futility of it, but on destroying any illusions that people of like social stature on either side would continue to subscribe to the same morals of human behaviour (Roger Ebert seems to agree). The film has been on a lot of "classic film" lists and the reasons for that may escape a majority of people. Don't look for bravura technical wizardry (è la Citizen Kane or Vertigo) or bold deviations from conventions of narrative and plot (Last Year at Marienbad). Look instead for unobtrusive filmmaking that creates believable characters out of what might have easily been jingoistic clichéd stereotypes). The influence of this approach is evident on a lot of Indian parallel filmmakers like Shyam Benegal, Adoor Gopalakrishnan and Govind Nihalani. Several moments in the film also reminded me of the old B&W Hindi films that I caught on the tube (these were the days when DoorDarshan aka Indian National Television opted for good considerate programming in the absence of the mixed bag of satellite television).

browse the internet ...without anyone seeing what you're up to

people think of the damnedest things. Ghostzilla is a "camouflage web browser" which assures "total privacy" of browsing... "it renders Web pages to look indistinguishable from your work screen"...

weekend flashback

A school/college friend stayed over for the weekend, which meant

(a) Lots of memories (good and bad) from school and college

(b) Eating out (old places like El Azteca, Dante's down the hatch and The Vortex on Peachtree)

(c) Sight seeing (old haunts like Little Five Points)

new screen

Screen is sporting a new look and feel for their web content. The disadvantage: more mouse clicks to get to the article you want. Here are my picks for this weekend's edition -- the focus is on sensuality projected in Indian cinema over the years and especially in the present.


* Indian cinema continues to be coy about the portrayal of erotica on screen... Bhawana Somaaya explores the outlet that historicals and period pictures have provided, while Devesh Sharma ploughs through The Kissing Fields.

* Sometime, somewhere revisits Kuch Kuch Hota Hai, one of Diwali's biggest box-office extravaganzas, and there's a related featurette on the music of the film (which had Jatin-Lalit dishing oodles of resampled RD Burman material, packaged in enough candy and soda-bubblegum pop to top the charts)

* Dev Anand talks to Rajiv Vijaykar about the late S. D. Burman (Halloween marked his 27th death anniversary).

*

garcia's

opened a new branch in Georgetown Square on Chamblee Dunwoody road and we made it the venue for the desi meet yesterday evening. Good food, although my filling Mexican afternoon forced me to stick with a quesadilla (which was also a tad more generous than I had expected).

Nuevo Laredo Cantina

Is a nice Mexican restaurant hidden on Chattahoochee Avenue off Howell Mill Road. Although the mole is recommended, I settled for a chicken burrito, which is mouth-watering and filling (and the rice is just great!). The only damper was a rather loud accident just outside the place as we waited our turn (yes, there's a long wait for lunch).

desi onion

Months of research and development by a team of India's top physicists have resulted in an ambitious plan to get them the hell out of the overcrowded, impoverished nuclear powderkeg...{the Onion reports}.

bond ... and pig's blood

With Die Another Day just round the corner, ads have flooded all television channels (including the overplayed Circuit City ad featuring the American father faking a British accent; Berry, Halle Berry for Revlon's new 007-inspired lineup). AMC had a neat little hour-long feature on the Bond girls, aptly titled Bond Girls Are Forever which had Maryam d'Abo (herself a Bond girl in The Living Daylights) chatting with the different Bond girls and the importance of being a Bond girl.

I finally saw Carrie, which is replete with all the trademarks of a Brian de Palma film: the split-screen, the Hitchcock references {the high school is called Bates School, a reference to Norman Bates in Psycho; the soundtrack by Pino Donaggio quotes a theme from Herrmann's score for Psycho; the blurry lensing that abounds (although this could also be interpreted as a reference to Vertigo); the slow motion sequences}. There's something about most pre-1990 Brian de Palma films I've seen: they all seem to have been made cheaply, or else I've been duped into viewing bad prints.

the desi version masters

Just noticed Anees Bazmee's latest directorial venture Deewangee topping a few movie charts. I have no idea how the film is doing back home, but I'm sure there are a lot of desis in the United States who are flocking to their local Indian stores to grab the DVD or VHS-created-from-DVD at low prices. Only the utopian faithfuls would rush to the theatres to catch the big-screen glory of a strictly run-of-the-mill destined-for-cable rip-off.

Anees Bazmee emulates Vikram Bhat by consistently presenting Hollywood releases, both mainstream and less common flicks, wrapped in oily, greasy, carbon-heavy newsprint and topped with the desi masala of anachronistic inappropriateness (songs, dances) and vintage seasoning (clichés). The two have patented a delicious Indian schezwan delicacy that mixes essential bare-bones ingredients from a variety of sources (read: foreign films). In the business and IT research worlds, this is referred to as 'data integration'.

Bhat is famous for his original flicks like Fareb (Unlawful Entry), Ghulam (On the Waterfront and Raging Bull), Kasoor (The Jagged Edge), Raaz (What Lies Beneath),and Awara Paagal Deewana (The Whole Nine Yards and The Matrix). Bazmee has made two films, the second of which, Pyar to Hona Hi Tha was a local take on French Kiss. He now takes on the Richard Gere-Ed Norton box-office success Primal Fear, mixes it with Cape Fear, adds the incongruous songs and dances and the hackneyed dialogue, packages it well (honestly, the preview was slick) and presents the mostly unwary audience with a "different" film. Mr. Bazmee, as can be expected, vehemently denies the inspiration, and states that the grain for the film came from the real-life tragedy involving the murder of music baron Gulshan Kumar. True to his word, he has transplanted the religious crime into the world of music. Wonder when this will end...

Out here in the States, new releases are a healthy mix of the conventional run-of-the-mill genre films as well as a crop of interesting movies (coming up: Star Trek: Nemesis, The Hours, Brian De Palma's Femme Fatale). The fate of such movies is, as always, uncertain, but the fact that they actually get made is a consolation.

Interestingly enough, Primal Fear was directed by Gregory Hoblit, who made Fallen, a film that I caught when it did the rounds on Star Movies back home. I wasn't the only one who caught it though. When ad film maker Rakesh Mehra decided to make his directorial début he chose to interpret (read: mooch) this conflict of good and evil with quotes from the Bhagvad Gita and slick technical finesse, but the usual glaringly unwanted songs and dances, along with inappropriately over-the-top performances from everyone concerned (except Amol Palekar, who pays for this trangression by getting bumped off in the opening sequence).

salon

Yet another web traveller found my blog today: however, this time, Clement and I have a lot in common: Films, Kerala, Pune. Give his blog a visit while you're here.

diehl, leonard and a visit to lumberton

Made a trip to AFPL on my way home to pick up some more "popular fiction".

* Show of Evil/William Diehl {the sequel to Primal Fear}

* Reign in Hell/William Diehl {the third and final Martin Vail book}

* Sharky's Machine/William Diehl {I must confess, his books are page-turners and perfect reads for my commute to and from work}

* Out of Sight/Elmore Leonard {I had to get the book after I saw the movie. This will also be my first Leonard book}

* Rum Punch/Elmore Leonard {source material for Tarantino's tribute to the blaxploitation era, Jackie Brown}

We cancelled our South Asian Writers Group meeting for lack of quorum (a lot of people are making trips home) and settled down to watch Blue Velvet instead. This has David Lynch sharpening his claws and is good preparation for his awesome opus last year, Mulholland Drive. Apart from being the first collaboration of Badalamenti and Lynch, the film is also interesting for showcasing Lynch's unique artistic style and his fondness for the quirks of human behaviour and situations, and the heady mix of film styles. Lynch employs the style and mood of film noir to explore the dark underworld of his seemingly peaceful virginal hometown (depicted as nostalgic, dreamlike and pastoral via a hybrid of a 50s B-movie and a teenage romance). The film is worthy of the cult status it has achieved over the years, although it lacks the tightness of some of Lynch's later works (Mulholland Drive, in particular).

Special features on the DVD include Mysteries of Love, a decent "behind-the-scenes" documentary featuring dust puppies, an accessible enumeration of the benefits of widescreen, insights on the Bobby Vinton song that gives the film its title, and some bad video captures of Lynch as he talks about his inspiration and process on the film. The documentary takes its title from a song that Lynch wrote for the film. Also on the DVD is the snippet from the Siskel and Ebert show where Ebert slammed the film (and Lynch along with it) while Siskel defended it. Ebert's review includes some of the issues he had with it.

There are some rather unfortunately noticeable gaffes in the film: Jeffrey Beaumont (Kyle MacLachlan) has an amazingly regenerative complexion considering how fast his wounds heal in the course of the film; there's the case of Jeffrey Beaumont's vanishing and reappearing earrings. I also wonder why Sandy (Laura Dern) is wearing a wedding ring.

This is one of Dennis Hopper's best roles -- it would appear that he was born to play the helium-sniffing ritualistic rapist Frank Booth. After all, it is quite an achievement for him to essay a role without saying "dude" or "man" either implicitly or explicitly. This was his first role after he got out of rehab, and the change is welcome. Frank Booth is one of the most terrifying, disgusting and evil entities you would never want to know.

Related: A detailed walkthrough of the film

online radio stream as a reflection of mood


Time,
Time,
Time, see what's become of me
While I looked around for my possibilities.


I was so hard to please.
Look around,
Leaves are brown,
And the sky is a hazy shade of winter.

------Bookends / Simon & Garfunkel

what does google think of you?

This is a cleaner more time-efficient way of egosearching on Google: Googlism.com will find out what Google "thinks of you, your friends or anything!". This is what I got for myself. A few excerpts:

george thomas is as fun to watch as the real travolta himself

george thomas is an extraordinary individual who continues to rise to life's challenges with determination and drive

george thomas is the best friend america has in india

george thomas is optimistic that his team can rebound from a tough fall season to capture that elusive tournament bid

sick of tele-marketers ?

Try out this counterscript {found on the OTHER blog}

the new face of blogdex

Just caught the new UI of blogdex. I have been guilty of not visiting it as frequently as I used to (the pressures of work). I have a soft spot for the old UI though...

milkplus: a droog on films

Got an email some time ago from Timothy Eagon who maintains MilkPlus, a film discussion blog. Quite an interesting selection of films. Feel free to stop by, and drop a note while you're there.

Sunday, November 03, 2002

Modestly priced satisfying lunch buffet at Annapurna, on Indian Trail Road. The place was in day four under a new management, which explained the empty dining hall, but don't let that prevent you from sampling their collection of Gujarati and Bengali dishes.

Out of Sight. Atlanta-born Steven Soderbergh and his able cast (including, I must say, Ms. Lopez) does wonders with Elmore Leonard's novel. This helps to compensate for the unforgiveable damage he wrought with fellow-Georgian Julia Roberts in the Oscar suck-fest called Erin Brockovich.

Saturday, November 02, 2002

South Indian Cafe: Wonderfully-priced Special Lunch Buffet topped with welcome homely coffee (as opposed to the blend-laden world of conventional bitter/strong/assembly-line coffee).

Autofocus: Much ado about something. Paul Schrader uses the tragic story of Bob "Hogan's Heroes" Crane to exorcise his personal demons and revisit his favourite themes. Great performances by Kinnear and Dafoe (who will again, I fear, miss an Oscar nod). The opening titles are a welcome relief from the mundane. Electronic mood composer Angelo Badalamenti has precious little space to make his presence felt. The Sunset Boulevard-ish device of having a dead man provide the narrative fits the title aptly. The closing moments of the film destroy any good that may have come out of this enterprise by clearly pointing to John Carpenter as Crane's killer (the case remains unsolved). While he is completely justified in focussing on the "special" relationship between Crane and Carpenter, Paul Schrader lost the benefits of ambiguity by cheaply incriminating Carpenter (Oliver Stone did a better job with providing us with a choice of culprits in JFK).

Friday, November 01, 2002

Run Lola Run: Great movie. Cool soundtrack. And it's fun to catch the tiny differences across the different timescapes.

Aching verity

On Sunday, October 20, 2002, Indian Masala on WREK included producer Harry Anand's (brother of Hindi film music composer Anand Raaj Anand) Thoda resham lagta hai. This remix rabble is the rather under-discussed item in the Truth Hurts affair. Harry Anand's take on the long-lost Bappi Lahiri composition was released on his UMI-10 series (volume 3 to be precise) and -- wait for it -- was based on the Addictive/Dr. Dre version of the song, rather than the original Hindi film song. Now Ms. Mangeshkar and King Plagiarist Bappi Lahiri are both filing lawsuits against Dre and Co. This could pose some interesting issues for Mr. Anand.


Related

RMIM Post discussing Harry Anand's remix

Listen online to Anand's remix {the title of interest is kaliyon ka chaman}

Bappi sues: The lawsuit charges American producers (including Dre) with practicing a form of "cultural imperialism" by not crediting Third World artists.. Titter, titter.

The Most Common, Fastest, & Easiest Way to Copyright Your Tunes

Footnote: The model in the video for kaliyon ka chaman is meghana naidu, a UK-settled lass from down south. {information posted on RMIM}